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Steve Dawson: We Belong to the Gold Coast - COMPACT DISCSTitle: We Belong to the Gold Coast Artist: Steve Dawson Label: Black Hen Product Type: COMPACT DISCS UPC: 625712991721 Genre: Folk Release Date: 2008 06 30 Number of Discs: 1 Black Hen Music proudly presents the new album from multi Juno Award winner Steve Dawson, We Belong to the Gold Coast'. Steve has evolved into a musical chameleon, whether appearing with his group Zubot and Dawson, the avant folk quartet The Great Uncles of the Revolution, blues
Title: We Belong to the Gold CoastArtist: Steve Dawson
Label: Black Hen
Product Type: COMPACT DISCS
UPC: 625712991721
Genre: Folk
Release Date: 2008-06-30
Number of Discs: 1
Black Hen Music proudly presents the new album from multi Juno Award-winner Steve Dawson, “We Belong to the Gold Coast'. Steve has evolved into a musical chameleon, whether appearing with his group Zubot and Dawson, the avant-folk quartet The Great Uncles of the Revolution, blues legend Jim Byrnes, performing his own solo shows, or producing acclaimed albums in the studio. On stages ranging from Dobrofest in Slovakia to the renowned Monterey Jazz Festival and almost every major music festival in Canada, Steve is constantly striving for unique sounds and approaches to acoustic music. His instrumental abilities have landed him on stages with artists as diverse as Bob Brozman, Gil Scott-Heron, John Lee Hooker, Oregon, David Lindley, Long John Baldry, Oh Susannah, and Francois Houle, to name just a few. When the renowned guitarist/songwriter Kelly Joe Phelps put down the slide guitar to focus on songwriting a few years ago, he called on Steve to play the slide parts for the album “Slingshot Professionals'. Steve’s arsenal of instruments that he plays always grows, but includes all kinds of guitars, banjo, ukulele, Weissenborn Hawaiian guitar, dobro, lap steel, and most recently the pedal steel, for which he received a Canada Council grant last year to study with the legendary Greg Leisz. Steve is also an acknowledged triple-threat in the recording studio, known as an innovative and experimental engineer, an award-winning producer and an in-demand musician at the same time. His production talents have resulted in recent successes for Zubot and Dawson, blues legend Jim Byrnes, and a Juno Award for songwriter Jenny Whiteley, while his studio work as a musician adds up to over 50 albums. On “We Belong to the Gold Coast' Steve set out to explore the territory between old and new, antique and modern - both with musical style and sonic experimentation. Played on various acoustic and slide guitars, we catch glimpses of acoustic blues, early Hawaiian, jazz and pop music, mixed with modern sounds and textures. Influenced by the production sounds of Tchad Blake, Brian Wilson and Jon Brion, Steve has experimented for years with recording techniques on acoustic instruments, and this album is a showcase of truly exceptional sounds. Most of the basic tracks for this album were recorded live in the studio with Keith Lowe on bass (Fiona Apple, Bill Frisell), and Elliot Polsky on drums and percussion. Steve then dug into the studio to work on the overdubs and textural elements, and then took the tracks into a Vancouver church to record natural reverbs. The centerpieces to each section of “We Belong to the Gold Coast' are the 3 Hawaiian songs that appear throughout; “Patches', Irving Berlin’s “An Orange Grove in California' and Steve’s own “Red Sand Serenade'. Steve has studied early Hawaiian music extensively and wanted to record some songs that explored the pre-1940’s era of that music, and captured it's essence, while at the same time used instruments and sounds that were not originally associated with that style. Acoustic blues is another clear influence, and Steve has arranged two 1930’s songs by the Mississippi Sheiks, “World Gone Wrong' and “Livin’ in a Strain' with a fresh approach that highlights his creative fingerstyle approach to the guitar. Original songs and instrumentals make up the rest of the album, many of which feature guest musicians that Steve has worked with along the way. The songs “Slip By' “Photograph' and “Angeline', a song that refers to the wife of Blind Willie Johnson, are the most fully orchestrated pieces on the album, and feature Steve and the band, along with guests such as J.T. King’s Jeanne Tolmie on backup vocals, and Chris Gestrin on all sorts of strange keyboards. Steve’s musical compadre, Jesse Zubot makes an appearance with the string quartet that he arranged for “Ruby' and “The Gold Coast Revisited'. Steve has developed a unique voice on the guitar that has taken some major steps since his first solo album, “Bug Parade', that will continue to progress, along with his compositions and recording style. “We Belong to the Gold Coast' is an exciting step in the constantly evolving career of this world-renowned, award winning and eclectic artist. Watch for Steve on tour soon, performing solo or with his Gold Coast Ensemble.
Tracks:
1.1 We Belong to the Gold Coast
1.2 Trouble on the Run
1.3 Slip By
1.4 Patches
1.5 World Gone Wrong
1.6 Fried, Dyed and Laid to the Side
1.7 Living in a Strain
1.8 Photograph
1.9 An Orange Grove in California
1.10 Ruby
1.11 Song for Blind Joe
1.12 Angeline
1.13 Skilsaw
1.14 Red Sand Serenade
1.15 The Gold Coast Revisited
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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★★★★★ 5
Great quality wire for any automotive or 12 volt wiring
Size: 16 AWG-100 ft
This GS Power 16 gauge wire is excellent quality for any automotive wiring project. The copper is true OFC pure copper, not copper clad aluminum. It’s flexible, easy to route, and holds up well without the insulation feeling cheap or brittle.
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If you need dependable wire for automotive, marine, RV, audio, or general electrical projects, this is a great buy. I would absolutely purchase it again.
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Reviewed in the United States on May 9, 2026
★★★★★ 5
Real copper
Size: 16 AWG-100 ft
Good quality. Copper wire
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Quality all copper wire
Size: 16 AWG-100 ft
True16 Gauge pure copper wire
Quality wire with a high strand count
Nice insulation not overly stiff or too soft
Expect I will be buying more as it is a good value for the $
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Reviewed in the United States on October 1, 2025
★★★★★ 5
Wire works as specified, no issues and good price
Size: 16 AWG-100 ft
Wire is as specified. Works great, no issues. Good price when I purchased. The wire insulation is not overly stiff and can handle manipulation well.
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Reviewed in the United States on August 5, 2025
★★★★★ 4
Not the sorry copper coated aluminum.
Size: 16 AWG-100 ft
The wire is 16 gauge plenty big for my system. Heck, the wires supplied with my stereo, copomonet speakers, and amplifiers are about 20 or 24 gauge. I'm quite sure the wire will be more than suffeceint. I, m installing a mono sub amplifier a four-way amplifier to the sub amp outputs and the front of lines of the stereo. I'm gonna be pushing 20 speakers all except the sub woofer only pushing 100 watts a channel and the sub will push 150 watts. That makes 21 altogether. Not much just good clean sound. I've been working on the project going on 5 years now. Been bargain hunting, besides the work I've only got about $650 in the project. Can't wait to get it completed here around the end of July.
Hopefully, it will sound great didn't want to pay anyone. Seen too many "professional" jobs that were subpar. I've seen some nightmares. Figured if l did the job then who could I blame at least I can only blame myself and didn't pay $1,000 for it. 😁🤔
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Reviewed in the United States on June 30, 2021