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Mesut zgen: Troubadour - COMPACT DISCSTitle: Troubadour Artist: Mesut zgen Label: CD Baby Product Type: COMPACT DISCS UPC: 634015042320 Genre: Classical Artists Release Date: 2004 09 28 Number of Discs: 1 Mesut zgen came to the attention of the world music community in 1989 when he performed at the International Paco Pea Guitar festival in Cordoba, Spain. zgen began teaching himself guitar in 1981 while in medical school and by 1993 had become the first guitarist to win the Dean's Prize
Title: TroubadourArtist: Mesut zgen
Label: CD Baby
Product Type: COMPACT DISCS
UPC: 634015042320
Genre: Classical Artists
Release Date: 2004-09-28
Number of Discs: 1
Mesut Özgen came to the attention of the world music community in 1989 when he performed at the International Paco Peña Guitar festival in Cordoba, Spain. Özgen began teaching himself guitar in 1981 while in medical school - and by 1993 had become the first guitarist to win the Dean's Prize at Yale University. Özgen is widely known for creating new contexts for classical guitar performances. 'Pick and Roll,' a performance composed by Benajmin Verdery and staged by Özgen, featured a basketball player in dialogue with a guitar ensemble and utilized spatial elements in the hall. Troubadour represents Özgen's first major release and let's the rest of us (who are not lucky enough to attend one of his multi-sensory performances) in on the secret. Troubadour is aptly named - Özgen's own journey has carried his music from his native Turkey, through Spain, Connecticut and Arizona, to his present home in Santa Cruz. 'Many troubadours traveled for great distances, aiding in the transmission of news and culture from one region to the other,' says Özgen. The opening track, 'Variations on an Anatolian Folk Song' by Domeniconi is based on a Turkish folk song written by Asik Veysel, a renowned 20th century representative of the Asik (troubadour) tradition. 'The Asiks...singing their own or others' poetry and playing saz, has become the voice of common people...' Anthony Newman's work 'Gigue' shows Özgen's fondness for the ecletic and new. Composer Benjamin Verdery describes 'Gigue' as 'written in Newman's system of substitute harmonies, and features series of short rhythmic cells that when put together give the effect of an Indian raga.' The final track is Pratorius' trilogy 'Sonata: Ondas do Mar de Vigo,' which is based on a Spanish song by the Portugese medieval troubadour Martin Codax. Troubadour was performed on a 1995 Simon Marty guitar, with the exception of the song 'Misionera,' which used a 2003 Gil Carnal guitar. In the early 1990s, Özgen was invited by Verdery to study at Yale University's School of Music, where he completed both his Master of Music and Artist Diploma. Later, he studied with Frank Koonce in the doctoral program at Arizona State University. Özgen has taught guitar at the Gazi University School of Medicine and at Hacettepe University in his native Turkey, and is currently on the guitar faculty at the University of California at Santa Cruz. He was a prizewinner at the International Portland Guitar Competition, a featured soloist at both the International Paco Peña Guitar Festival and the Santa Cruz Baroque Festival, and premiered new music for the guitar at the Yale Guitar Festival and the April in Santa Cruz Contemporary Music Festival. Özgen's ability to make classical guitar palatable to a larger audience and his dedication to new musics has inspired composers as varied as Pablo Ortiz, Benjamin Verdery, Deepak Ram, and Yalçin Tura to compose works for him.
Tracks:
1.1 Variations on An Anatolian Folk Song (Asik Veysel / Carlo Domeni
1.2 Gigue (From Suite for Guitar) By Anthony Newman
1.3 Shenandoah By Robert Beaser
1.4 Misionera By Fernando Bustamante
1.5 Fantaisie Hongroise Op.65, No.1 By Johann Kaspar Mertz
1.6 Sonata: Ondas Do Mar de Vigo By Christopher Pratorius Introduc
1.7 Sonata: Ondas Do Mar de Vigo By Christopher Pratorius Canto (S
1.8 Sonata: Ondas Do Mar de Vigo By Christopher Pratorius Estudio
Audio Sample:
All soundclips are provided by Tidal and are for illustrative purposes only. For some releases, the tracks listed may not accurately represent the tracks on the physical release.
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★★★★★ 5
Good quality sound deadener at a good price.
Model: NewSLS50_52
Quality sound deadening that adheres to body panels well. You can easily hear the vibration reduction after just the first piece by tapping on the body panel before and after.
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Reviewed in the United States on November 21, 2025
★★★★★ 4
Good stuff at a good price
Model: NewSLS50_52
Works well and sticks well. I used a roller and it has been over a year and everything still sticking as good as day i put it everywhere. I didnt use any adhesive but I did wipe everything down with acetone before I applied. Good stuff at a good price
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Reviewed in the United States on November 23, 2025
★★★★★ 5
Good value
Model: NewSLS50_52, Model: NewSLS50_52
Working perfectly. Install of stereo equipment and carpet left me wanting some heat and sound resistant materials.
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Reviewed in the United States on March 23, 2026
★★★★★ 5
BUY THIS ONE!
Model: NewSLS50_52
This is one of the good ones. There are other brands just as good, and manny brands are worse, but this handles well, rolls down easily, doesn't come off at all easily, and adapts to dips and curves like a champ.
Appropriately heavy and dead, I'm happy with the way it smothers panel resonances and even at muffling direct sound, like a big hand over my Uncle Harry's eternally noisy mouth. You can rip the foil but you have to work hard at doing that.
Remember to buy a brayer; you can roll overlaps nice and thin. Also remember to pre-wipe the sheet metal with a decent solvent like acetone or Stoddard/Varsol. It should last forever.
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Reviewed in the United States on April 26, 2025
★★★★★ 5
Good stuff, but watch the temp
Model: NewSLS50_52
I used this in my single cab pickup truck (89 ford.) It only took half the box (10 sheets or 25 square feet) to do the floors, but I bought the big box because I plan to do the doors, back wall, and maybe the roof as well. One thing I learned is that the temperature matters when you’re doing the installation. It was around 55F when I started in the evening, and when it dipped down into the 40s the sheets would not stick to the metal, and were hard to compress with the roller. That’s why I ended up only doing the floors and not any vertical surfaces; i will have to wait for a nice hot day. The other thing is that the foil layer on top is razor sharp at the edges, definitely wear gloves! I didn’t notice until after but I have little papercuts all over my fingers. Aside from those things, the install was easy and straightforward. The sheets cut easily with scissors, and any goo that ends up on your hands or scissors can be cleaned up with acetone (nail polish remover), or lacquer thinner. I would use this stuff again.
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Reviewed in the United States on November 16, 2023
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