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Description
Taylor 150ce Acoustic-electric Doce Doble - NaturalGet the unmistakable shimmer of a unison tuned 12 string with the Taylor Somos 150ce Doce Doble in Natural, available at Irvine Art and Music. Inspired by modified double course instruments used in regional Mexican styles, the Doce Doble delivers a bold, sparkling voice thats perfect for rhythmic drive, bright lead lines, and layered studio textures across Latin genres and beyond. The 150ce Doce Doble pairs a cutaway Dreadnought body with a solid
Get the unmistakable shimmer of a unison-tuned 12-string with the Taylor Somos 150ce Doce Doble in Natural, available at Irvine Art and Music. Inspired by modified double-course instruments used in regional Mexican styles, the Doce Doble delivers a bold, sparkling voice that’s perfect for rhythmic drive, bright lead lines, and layered studio textures across Latin genres and beyond.
The 150ce Doce Doble pairs a cutaway Dreadnought body with a solid torrefied spruce top for clear projection and a warm, played-in response, while layered sapele back and sides add focused mids and a balanced, punchy character. Built-in Taylor ES2 electronics make it easy to plug in for gigs and rehearsal, and it includes a sturdy gig bag for grab-and-go portability.
Product Features
- Somos Collection 150ce Doce Doble acoustic-electric in Natural
- Unison-tuned 12-string design for a unique, shimmering double-course sound
- Cutaway Dreadnought body for strong projection and easy upper-fret access
- Solid torrefied spruce top for clarity with warmed-up, broken-in character
- Layered sapele back and sides for balanced tone and durability
- Taylor Expression System 2 (ES2) electronics for natural amplified tone
- Includes a sturdy gig bag for storage and transport
Tech Specs
- String Type: Steel
- Number of Strings: 12
- Left-/Right-handed: Right-handed
- Body Shape: Doce Doble
- Back & Sides Wood: Sapele
- Top Wood: Spruce
- Top Finish: Gloss
- Color: Natural
- Body Bracing: C-Class Bracing
- Neck Wood: Neo-Tropical Mahogany
- Neck Finish: Satin
- Neck Shape: Standard Carve
- Radius: 15"
- Fingerboard Material: Crelicam Ebony
- Number of Frets: 20
- Scale Length: 25.5"
- Scale Length Type: Standard-scale
- Nut Width: 1.875"
- Nut Material: NuBone
- Saddle Material: Micarta
- Tuning Machines: Taylor Gold Mini
- Electronics: ES2
- Case/Gig Bag: Hardshell Case
- Manufacturer Part Number: FS01100111007931000
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Exchange/Return Notes
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4.0 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 5
Engrossing and Thought-Provoking
Format: Hardcover
This is an absolutely engrossing read in the first half of the book, especially--so much so that I actually canceled a social plan so that I could keep reading.
The author shifts effortlessly across scenes and time--the play of past and present is very much part of the book's plot and insight--and I developed a fast curiosity and unsettling investment in understanding our anti-heroine/heroine Natalie. This surprised me, because had a friend not recommended the novel I never would have signed on to spend time in the head of a "tradwife." For me the novel was an imagined and imaginative provocation on American womanhood (and masculinity) in the 21st century, where no options or "performances" seem entirely satisfying or even real. I found it simultaneously disturbing and darkly humorous, especially in its depiction of young women's collegiate lives.
However, readers should have some tolerance for caricature throughout. While I howled at the depictions of the miserable lives of aspiring "modern" women in the dorms and figuratively pounded my fists at the hypocrisy of the tradwife, I was also conscious of hyperbole and exaggeration--no, their lives aren't that bad; nor, I would guess, are the "tradwives" as bad as Natalie, who is a profoundly unlikable character.
I did find that the novel bogged down in its middle and late-middle chapters--the mystery of what's happening to Natalie remains but the momentum seems to stall out into repetition. I also felt that the ending seemed too rushed and too tidy, given the nuance we see earlier in the novel. It ends with what feels like a reductive endorsement of modern (or post-modern) life for women when, earlier in the novel, we get to contemplate the flaws in ALL of the scripts and performances that women--and the hapless Caleb-- are asked to live by, or choose... Indeed, the characters that I would have loved to hear more from are the two who seemed more grounded and, ultimately, perhaps happier than the others: Natalie's sister and even her mother... The concluding exposition felt rushed, as did the analysis, in other words...Some of the religious scenes seemed tone-deaf to me... I'm not an evangelical, but Natalie's relationship to God strained credulity.
**Highly recommend** this to anyone looking for a provocative and engrossing read on women's lives and constraints in the age of social media that engages in a fascinating thought experiment along the way...
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Reviewed in the United States on May 26, 2026
★★★★★ 4
An unexpected reading experience!
Format: Hardcover
Very unexpected novel! I went into it without any knowledge or prior information of what it was going to be about. Main character is not a person you would want to be friends. So when calamities happen to her it was hard for me to muster up much sympathy or compassion. It was more of “you had this coming, you deserve every miserable minute”. And boy, there were many! Some harder to believe than others. As I was reading, I first thought- I don’t want to keep this book, it’s not worth saving. But it developed to be definitely the type of story that sticks in your mind, you find yourself revisiting parts and characters and wondering why that happened and why did that person react a certain way. And to me that’s a book worth reading and keeping on my limited bookshelf. So I changed my opinion as I read to the end of the novel. It is certainly a book worthy of a neighborhood book group discussion. I am recommending and sharing my copy to family members and reading friends.
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Reviewed in the United States on May 20, 2026
★★★★★ 5
Beneath the perfect surface
Format: Kindle
Yesteryear completely caught me off guard in the best possible way. What begins as a fascinating look into social media influence, curated perfection, and historical living slowly unfolds into something far deeper and far more emotional than I expected.
The storytelling was incredibly well done, especially the way the author balanced the polished modern influencer world against the harsh realities of 1800s frontier life. The transitions between timelines and perspectives were seamless, and by the end, every piece fit together in a way that completely redefined the story.
What made this especially compelling for me was how layered Natalie’s character felt. Her upbringing, family expectations, faith, public image, and the pressure to maintain perfection all shaped the choices she made throughout the story. Rather than feeling one-dimensional, she felt like someone slowly buckling under the weight of everything she believed she was supposed to be.
The emotional impact of this book surprised me. Beneath the historical elements and social media commentary is a story about identity, appearances, family, and the toll that constant performance can take on a person and those around them.
This is one of those books where the less you know going in, the better the experience will be. I expected an entertaining premise, but I ended up with a story that lingered long after I finished the final page.
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Reviewed in the United States on May 28, 2026
★★★★★ 3
About that twist…
Format: Kindle
SPOILER ALERT!
The thing about big, improbable twists in stories is that the less time you have to think about them, the better their effect. For fans of the classic TV show The Twilight Zone, it has always been clear that the half-hour shows were far better and far more punchy and memorable than their rather sad hour-long cousins. And a book has far, far more time to contemplate a twist than a TV show.
Unfortunately, despite some pointed observations by the author (narcissistic people are pretty much unlikable, cruelty and brutality give power to weak men, abused children very often cling to their abusers), the big, improbable twist in Yesteryear almost completely sinks the story.
The twist is the same one that sank M. Night Shyamalan’s 2004 movie The Village, and it fares no better here. Yes, people can and do live off the grid. But avoiding every single sign of civilization for years on end? Even if you’re not in a commercial flight path, there are such things as helicopters and small private planes, especially in remote areas. Perhaps people rarely stray onto private land in the wilderness, but once in a while, stray they do. And when that wilderness home was once widely publicized? Excuse me, but people are going to look for it.
This is all not to say that Yesteryear was not entertaining - it was. I read it in one sitting. The characters, as unlikable and unreliable as they are, were well drawn. A couple of the children were also quite believable, but the author’s excuse for the rest of the kids being cyphers was that their mother saw them as cyphers as well. Okay, that’s fair, but knowing them better would have enhanced the story for the reader.
This is certainly a promising book. It held my attention and was very well-written. But that twist - well, it sank M. Night Shyamalan, too.
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Reviewed in the United States on April 10, 2026
★★★★★ 4
Good read
Format: Hardcover
This book has been getting a lot of hype, and I can understand why. First, it is a very unique storyline. Very different plot. Second, the main character, Natalie, is totally unlikable. In fact, I would honestly say I loathed her. She has no likeable qualities whatsoever. I guess that is what makes you want to keep reading, to find out what happens to this nasty woman. That said, I admit I was confused at the end. I am still not sure what exactly happened to Natalie, how the situation came about, and how 10 years went by when Natalie seemed to only be telling a few months time. Was she delusional? Did she have a mental breakdown? I wish it was more clear as to what exactly happened.
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Reviewed in the United States on April 23, 2026